It doesn’t matter what your skin colour is, your nationality, or your country’s history. In places that feel pared back and exposed, life itself comes into sharp focus. Simple things and brief encounters become metaphors of hope and love, of roads and borders, of vulnerability and the fleetingness of childhood.
In this project I work between photography, object-based elements and drawing, turning travel notes into a layered artistic reflection. The initial idea—an artist’s book with photographs from Madagascar—was a point of entry; in process it grew into a multimedia installation where documentary material meets intervention and a personal gesture.
This project opens a space for empathy and speaks about what matters most: life—its fragility, and its continuation.